Somnis radiants (Radiant dreams) (2023) for piano was written for and dedicated to Jaeden Izik-Dzurko, the 23-year old Canadian first prize winner of the 2022 Maria Canals Piano Competition.
After listening to Jaeden’s version of two movements of Portraits at the Canals competition, I became captivated by his colourful and multidimensional playing, as well as the sincerity and depth of all his performances, and his communicating abilities. Although Canadian, Jaeden’s family background is Hungarian and Ukrainian, and we both perhaps share some historical/cultural interests in color (timbre), light (mode/harmonic contrasts), intervallic distances and geometry, development of melodic/rhythmic motives, as well as an interest in polyphonic texture and the music of J.S. Bach.
Somnis radiants is the product of a kind of meeting of the minds. Being a Spanish/Catalan by birth, I have always needed light and color in my life (I used to paint and draw) and I think visually and geometrically, including in music. I am especially sensitive to intervallic distances and their directional tendencies, horizontally and vertically. Radiant dreams incorporate a high level of interaction/dialogue between right and left hand, harmonic and registral (timbre) changes, motivic development, spaced-out intervals and chords, and polyphonic texture. As for the spirit of the music, this work does not describe impressions but real feelings of warmth and luminosity emanating from a floating and dreaming world.
Structurally, I use a modified sonata-allegro form interpreted more as an emotional and psychological structure rather than the result of a functional use of keys. The tension in the piece is established by increased/decrease intervallic tension, modal changes, and melodic/rhythmic development and variation. There are essential melodic/rhythmic motives that tie it together. For example, toward the end, a wide-spaced ascending intervallic motive finally appears in its entirety and is calmly repeated sequentially in pianissimo. This motive comes from Image (first movement of Portraits) and is used and developed (sometimes in disguise) in many parts of the work. A more passionate and emotive passage from a climax of Image is borrowed, although transformed, and also used at a climactic point in the piece. In general, certain melodic/rhythmic motives are essential to the creation of this composition.
Somnis radiants is published by Hidden Oaks Music Company, and available for sale at the http://elisendafabregas.com web site.