Andante Appassionato for flute solo (1996)

Duration: 5’20”
Commissioned by Tallon Sterling Perkes, principal flutist of the San Antonio Symphony.
World premiere by Tallon Perkes at the San Antonio Museum of Art, TX, in November 1996.
Asian premiere by Tallon Perkes at the Oguni Art Museum in Kumamoto, Japan, in April 1998.


“An unabashedly romantic work infused with dynamic rhythmic intensity and evocative melodies requiring a soulful and virtuosic temperament.” Tallon Sterling Perkes

Published by Alphonse Leduc &Cie.

Mirage, for solo piano (1997)

Duration: 9’30”
Commissioned for the 1997 San Antonio International Piano Competition in Memory of Andrew Russell Gurwitz.
World premiere by pianist Roger Wright at the Ruth Taylor Hall at Trinity University, San Antonio, TX, in October 1997.
New York premiere at Merkin Recital Hall by San Antonio International Piano Competition Gold Medalist Mi-Jung Im in March 1998.
Asian premiere at Kumamoto College of Music in Japan performed by the composer in April 1998.

“Virtuosic work that makes equal demands on a pianist’s technique, lyricism and sense of form.” San Antonio Express-News.


“Mirage”  Audio 

Published by Hidden Oaks Music Company.


Lyric scenes for the young for solo piano (1999)

Duration: 6 ‘
Commissioned by Dr. Francis Kane of San Antonio.

Six contrasting lyrical and generally slow paced pieces with an introspective quality.
Late intermediate level.

I. The little soldier
II. Andalusian landscape
III. Remembrance
IV. Children at play
V. A far away kingdom
VI. Catch me if you can.

Published by Hidden Oaks Music Company.

Portraits I for solo piano (2000)

Duration: 18-20′
Commissioned by the Texas Music Teachers Association and dedicated to pianist Roger Wright.
World premiere by Roger Wright at the 2000 TMTA State Convention in Austin, TX, June 10-14, 2000.
Shepherd Distinguished Composer of the Year Award from MTNA in 2001.
Performance history.

“It was a privilege to give the premiere of Portraits I, a richly colored multi-movement work by the gifted composer Elisenda Fabregas. Fabregas artfully suspends moods from evocative to plaintive and poignant to payful, with a style that is uniquely hers, while always attending to the overall scope in a convincing and refreshing manner. It is utterly pianistic – I adore it, and will perform it again and again.” Roger Wright

PROGRAM NOTES (read more)

I. Image (audio)
II. Capriccio (audio)
III. Lament (audio)
IV. Intermezzo (audio)
V. Toccata (audio)

Published by Hidden Oaks Music Company.

Album for the Young for piano (2002) (three books)

Duration: 29′

The album is a collection of thirty-four short pieces ranging from early to late intermediate level. They are organized in three books in order of difficulty. These pieces are one or two pages long and cover a wide range of styles: from Renaissance to contemporary in the first two books, and Spanish and Latin American idioms in the third book. Fingering, pedaling articulation marks and other performance indications are provided for each piece. The writing is melodic and non-polyphonic making it more accessible to the early intermediate student. All the pieces are usually in ABA form. All three books are available from Hidden Oaks Music Company.

“Here is real piano music imaginatively written with clever and interesting rhythms and beautiful harmonic coloring. It is a joy to have all three volumes of these pieces. Young students to adults will enjoy these eminently pianistic and delightful works that display a wide variety of styles.” Professor Maurice Hinson.

BOOK I (read more) 

The puppy dog, At the monastery, March of the tortoises, Waltz of the peacoks, Medieval monk’s chant, Elizabethan dance, Hide and seek, Echoes from the past, Drifting clouds (Homage to Debussy), A little goat, Song of the boatman, Platero, the baby donkey, Gigue (Homage to J.S. Bach).

BOOK II (read more) 

Enchanted mesa (A Native-American landscape), Merry-go-roung, Ragtime, Sicilienne, Joggin, Daydreams, Toccata, The soldier’s ghost, Woodpeckers at work, Cloudy day, The runaway clock, A breezy afternoon, Dance of the chipmunks.

BOOK III (read more) 

Spanish fiesta, Nana (Spanish lullaby), Sardana (Catalonian dance), Jota (dance of Northeast Spain), Habanera (Cuban/Spanish dance), Tango, Homage to Ginastera.

Published by Hidden Oaks Music Company.

Miniatures for the Young for piano in three books (2004)

Duration: 20′
Miniatures for the Young were commissioned by Dr. Charles Goodhue of San Antonio, TX, on the occasion of a recital of his piano students on May 15, 2004. Most of theses pieces were premiered and performed by Dr. Charles Goodhue piano students at San Pedro Presbyterian Church on 281 in San Antonio on May 15, 2004.

BOOK I (grades 1 and 2)
Magic snowflake, Ghost lament, Playful seals, Baby jellyfish, Medieval procession, Sleepy angels, Saturday morning.

BOOK II (grades 2 and 3)
The mouse on a motorcycle, Cloister bells, On the western trail, March of the puppets, March of the fire ants, Harvest festival, The duckling.

BOOK III (grades 3 to 5)
Apache war dance, Dinosaur footprints, First Chinese New Year, Second Chinese New Year, Spanish guitar, Song of the ‘infant’ Arabian princess, Song of the Arabian princess.

Published by Hidden Oaks Music Company.

Hommage à Mozart (2005)

Duration: 10′
Written for pianist Eric Himy in conmemoration of the 250th anniversary of Mozart’s death 2006.
Multiple performances partially sponsored by the American Composers Forum through its Encore Program, supporting repeat performances of new works.

2006-07  Performances.

Audio excerpt 1
Audio excerpt 2

Published by Hofmeister Musikverlag.


Five Poems of García Lorca for soprano, clarinet, cello and piano (1992)

Duration: 12′
Poetry by Federico Garcia Lorca in Spanish
Commissioned by the Gotham Ensemble

New York premiere at the”Village Variations” Concert Series Greenwich House Music School, New York, by the Gotham Ensemble and guest soprano Cheryl Marshall (10/8/92).

Published by Hidden Oaks Music Company.



Gacelas de amor for mezzo-soprano, flute and piano (2009)

Duration: 9′ 30″

Based on three poems (in Spanish) by Federico Garcia Lorca from the collections Diwan del Tamarit (1931-1934) and Canciones.

Commissioned by and written for Christiane Meininger, flute; Jörg Waschinski, male soprano; and Rainer Gepp, piano.
World premiere at the Zentrum for Information und Bildung in Unna, Germany. Sponsored by the American Embassy in Berlin, the Center for International Light Art in Unna (Germany) and a travel grant from the Peabody Institute of John Hopkins University.
See full concert program.
Read Concert review (in German) and in English).

I. El amor desesperado (audio)
II. Lucia Martinez (audio)
III. El amor maravilloso (audio)

Published by Hofmeister Musik Velag. 


Solitary for baritone, clarinet, cello and piano (2009)

Duration 3’30”  Solitary for baritone, clarinet, cello and piano, based on poetry by Hollis Robins, was commissioned by Andrew Talle and was premiered at Peabody Institute of Johns Hopkins in the fall of 2009.

According to Robins, the poem Solitary is part of a sonnet sequence called “Sonnets of Imprisonment,” which are all loosely about being bound either by the form or by real or psychological bars.  The poet William Wordsworth considered the sonnet form both constraining and liberating; in this longer sequence Robins says that she explores the nature of formal and psychological constraints as they work together.  The music attempts to capture the frame of mind of the narrator when faced by real or imaginary threats: the dreadful ‘waiting’ of the footsteps of the guards; the resistance to what one is “supposed to do’ and the violent consequences; the ‘remembrance’ of ‘normal’ life; the foreseeable dread and inevitability of an certain future.

Audio of premiere     Solitary    by Hollis Robins

There is a furtive echo you get used to.
You spend enough time waiting for the sound
of the footsteps of the guard on midnight rounds,
it tells you that you’ll do what you’re supposed to.
It reminds me of the summer nights I used to fish at night
without a light to hear the sounds of screen porch cocktail laughter
drifting down where I listened still and silent well past curfew.
It was worth it still despite the midnight beatings.
Fish helped but fishing wasn’t why I went.
I wished to see how normal people spent their time
on ordinary summer evenings.
I tended not to do what I was told to.
And the whispers told me where I would be sent.