Poetry by Antonio Machado in Spanish.
Premiered by baritone Jacob Cantu and the composer at the piano at Our Lady of the Lake University on February 11, 2001.
Published by Hidden Oaks Music Company.
Duration 3’30” Solitary for baritone, clarinet, cello and piano, based on poetry by Hollis Robins, was commissioned by Andrew Talle and was premiered at Peabody Institute of Johns Hopkins in the fall of 2009.
According to Robins, the poem Solitary is part of a sonnet sequence called “Sonnets of Imprisonment,” which are all loosely about being bound either by the form or by real or psychological bars. The poet William Wordsworth considered the sonnet form both constraining and liberating; in this longer sequence Robins says that she explores the nature of formal and psychological constraints as they work together. The music attempts to capture the frame of mind of the narrator when faced by real or imaginary threats: the dreadful ‘waiting’ of the footsteps of the guards; the resistance to what one is “supposed to do’ and the violent consequences; the ‘remembrance’ of ‘normal’ life; the foreseeable dread and inevitability of an certain future.
Audio of premiere Solitary by Hollis Robins
There is a furtive echo you get used to. You spend enough time waiting for the sound of the footsteps of the guard on midnight rounds, it tells you that you’ll do what you’re supposed to. It reminds me of the summer nights I used to fish at night without a light to hear the sounds of screen porch cocktail laughter drifting down where I listened still and silent well past curfew. It was worth it still despite the midnight beatings. Fish helped but fishing wasn’t why I went. I wished to see how normal people spent their time on ordinary summer evenings. I tended not to do what I was told to. And the whispers told me where I would be sent.